Фандомы и ролевки

Не_винная · 2023-07-08 14:07:06

Тред, посвященный китайскому актеру Сяо Чжаню и его творчеству
X玖少年团肖战DAYTOY的微博 - вейбо Сяо Чжаня
肖战工作室的微博 - вейбо студии Сяо Чжаня
X玖少年团肖战DAYTOY 在 - оазис Сяо Чжаня
Доуинь Сяо Чжаня
Доуинь студии Сяо Чжаня
инстаграм Сяо Чжаня
Официальная инста студии
Официальный ютуб студии
Оф аккаунты на стримингах
iTunes, Spotify, YT music

▼Прочие источники⬍

Соседние треды

РПС китаефд - если вам хочется зашиппить Сяо Чжаня с кем-то
Китаесрачей тред - если вам захочется посраться между собой
Срачный тред китайского щоубиза - если вам хочется срачно обсудить китайский шоубизнес
Китайского шоубиза тред - если вам хочется мирно обсудить китайский шоубизнес

Локальные правила треда: Внимание! Мирный и не шипперский тред. В треде запрещен хейт Сяо Чжаня и любые шипперские обсуждения.

Анон · 2025-03-02 16:12:59

Гуччи на оф ютуб канале разместили ролик с СЧ:

▼Скрытый текст⬍

Анон · 2025-03-02 16:30:39

Обзор на Кондоров блогера из США:

▼Скрытый текст⬍

В целом тоже говорит, что предварительное знакомство со вселенной дало бы дополнительные впечатления))
У Кондоров в описании ролика сказано, что рейтинг R
СЧ в комментах похвалили :heart:

Анон · 2025-03-02 16:31:59

СЧ добавил био в инсту
https://x.com/xzmelons/status/189616267 … zd0Jg&s=19
"Chinese actor, singer"

Анон · 2025-03-02 19:59:26

СЧ уже в Испании! :hysterics:
https://x.com/xzmelons/status/1896241607558771197
https://x.com/xzmelons/status/1896242086149857357

Анон · 2025-03-02 20:02:06

Анон пишет:

СЧ уже в Испании!

Ничего себе)

Анон · 2025-03-02 20:03:12

Пусть подольше погуляет по европам :chearleader:

Анон · 2025-03-02 20:06:19

Анон пишет:

СЧ уже в Испании!
https://x.com/xzmelons/status/1896241607558771197
https://x.com/xzmelons/status/1896242086149857357

Ждем вложик :heart:

Анон · 2025-03-02 20:09:22

Анон пишет:

СЧ уже в Испании!
https://x.com/xzmelons/status/1896241607558771197
https://x.com/xzmelons/status/1896242086149857357

Красивый :heart:

Анон · 2025-03-02 20:36:09

Анон пишет:

СЧ уже в Испании!
https://x.com/xzmelons/status/1896241607558771197
https://x.com/xzmelons/status/1896242086149857357

Офигеть, когда он успел-то?!
Такой красивый и милый :heart: Одет очень прикольно, и такой мягкий-уютный опять. И лохматый :sadcat:

Анон · 2025-03-02 21:04:34

Анон пишет:

СЧ уже в Испании!

У нас в Барселоне! Добро пожаловать

Анон · 2025-03-02 21:06:36

Анон, у тебя есть возможность встретить СЧ на улице! :rainbow:
Если, конечно, этот ниндзя не переместился уже в другой город/страну))

Анон · 2025-03-02 21:10:04

Анон пишет:

Анон, у тебя есть возможность встретить СЧ на улице!

Есть, только я не буду за ним бегать
Пошел смотреть шедевры Гауди.
Здесь много интересного. В музей Пикассо тоже пойдёт, наверное, завтра. Посмотрим

Анон · 2025-03-02 21:32:03

Аноны в тредике прямо со всего мира сидят :chearleader:
СЧ покоряет))

Анон · 2025-03-03 09:44:06

Обновление Molsion
https://m.weibo.cn/detail/5140052598326103

Evelom
https://m.weibo.cn/detail/5140052602522143
Очень нравится в белом и тут, и в свежей рекламе Nars :heart:

Анон · 2025-03-03 09:51:32

https://m.weibo.cn/detail/5140089092965488
Не всегда Маяк, надо же

Анон · 2025-03-03 12:16:02

Второй день несу этот пост про Кондоров.
https://m.weibo.cn/detail/5139671211573883

Многабуков, СЧ не упоминается, автор рассматривает весь смысл фильма через призму отношений ГЦ и ХЖ.

▼Текст поста⬍

Multiple clues interweave to construct an innovative narrative

The Greatest Hero of the Condor Heroes is adapted from the last seven chapters of Mr. Jin Yong's novel The Condor Heroes. This adaptation can be described as an innovative process of martial arts movies. In the words of the famous writer Zhang Zeyong, "Tsui Hark is amazing and dares to bite the bullet. The novel and TV series of The Condor Heroes have such a great influence that it is difficult to adapt them into a movie, not to mention that it is a two-and-a-half-hour movie. It is indeed a high-level production." However, director Tsui Hark's adaptation is indeed of a high level. The main film of the movie uses Guo Jing's search for Huang Rong as the main line, and the family and country righteousness, the grievances of the Jianhu, the loyalty and filial piety, and the love between children as the hidden lines, which are seamlessly interwoven and integrated, completing the interweaving of multiple clues and constructing an innovative grand narrative.

The opening of the movie uses the smoke-filled and war-torn war scene as the background, which naturally leads to the key clues of the protagonist Guo Jing's search for Huang Rong, giving the act of "searching" a deeper and special meaning. In that era of war and chaos, it is hard to find a person, and every step is full of unknowns and challenges. Guo Jing never gave up looking for Huang Rong. In the process of searching, he encountered the tragic scene of the battle between Jin and Mongolia. Guo Jing knelt on the edge of the cliff in grief, staring at the soldiers lying in a mess with sorrow, his eyes full of pity and unbearable. Huang Rong also followed Guo Jing's search, from the Central Plains to the grassland, not only was she thrilling, but she also saw the cruelty of war. The mutual search between the two people has both the chivalrous tenderness unique to the world of martial arts, and the chivalrous compassion in martial arts works. In this long and arduous journey of "searching", the audience can clearly witness Guo Jing's growth and transformation from immaturity to maturity and stability, and better understand the origin and location of "knight".

More importantly, from this seemingly simple two-way search process of Guo Jing and Huang Rong, the clues full of romance and thrills spread like vines, leading to two more magnificent and magnificent clues. Among them, Guo Jing implicated the Great Khan line and the war logic closely related to it, from the power game on the Mongolian grassland to the battlefield fighting, showing the cruelty of war and the complexity of politics; Huang Rong implicated the West Poison line and the relevant rules of the jianghu, from the disputes between the jianghu to the competition between masters, highlighting the dangers of the jianghu and the subtlety of the rules. These two clues are like two rushing rivers, flowing separately at first, and then gradually intertwined and converged on the grand historical stage of the Song-Mongol border war. From the initial emotional line of love between men and women, it gradually progressed to the family and country line that concerns the people of the world, from the sword-fighting in the jianghu, it sublimated to the lofty realm of family and country righteousness, perfectly following the traditional ideological vein of "cultivating oneself and managing the family" to "governing the country and pacifying the world", and constructing a grand narrative system with rich levels and rigorous structure.

The film has multiple elements interwoven, and the rhythm is precise and just right. Through Guo Jing's compassion for the soldiers, the camera switches to his memory, returning to the scene of the first encounter between him and Huang Rong. In this series of flashback memories, the first encounter between Jing and Rong is undoubtedly the most brilliant adaptation. In the original work, when the two first met, Huang Rong disguised herself as a little beggar and had some disdain and teasing intentions towards Guo Jing. Guo Jing kindly invited her to eat meat buns, but she threw them to the dog willfully; Guo Jing had no intention of treating her, but Huang Rong chased him all the way to the store, so he had no choice but to treat her to dinner. As a result, Huang Rong was not polite, and ordered expensive wine and food. After a few bites, she felt that the food was cold, so she willfully asked to pour it out and serve it again, continuing to make Guo Jing spend money. In Tsui Hark's careful adaptation, Guo Jing and Huang Rong's first encounter took place in the bloody and cruel battlefield after the extremely tragic Mongolian-Jin War, when the aftermath of the jianghu fight had not yet subsided. The two of them became friends because of their common compassion and commemoration for the innocent souls who died in the war. The "good fortune incense" and "chicken stewed in peach wine" have become their unique and meaningful tokens of love, which is undoubtedly the original design of director Tsui Hark. On the pile of firewood on a rainy night, Huang Rong ingeniously set up an iron gun to attract the thunder and ignite it as a memorial incense to commemorate the lives lost on the battlefield. This compassionate heart just shines into Guo Jing's heart like a beam of light. Guo Jing sighed: "These people can't imagine that a stranger will come to commemorate them." While speaking, he was also picking up the swords and guns on the ground. Isn't he the person who is full of compassion even though he has never met them before? This common emotion and value is not only the cornerstone of their emotional and cultural identity, but also the key factor that makes them become like-minded and soul-matched spiritual partners.

From the perspective of plot setting, this plot plays a crucial role in turning and foreshadowing. It is said that Mongolians are naturally afraid of thunder and dare not go to war once they hear thunder. This also explains why Guo Jing, who grew up in Mongolia, would subconsciously protect Huang Rong when he saw thunder. Later, when he seriously answered Huang Rong, "Thunder has no chance", this firmness not only made his steadfast love for Huang Rong naturally reveal itself, but also showed that he was strong in heart and no longer afraid of thunder. The "chicken stewed with peach blossom wine" that "Little East Evil" Huang Rong unexpectedly buried under the firewood pile is a unique design that can be called a stroke of genius. It is both a sacrifice to the dead and a food for the living. It cleverly transforms the coldness and solemnity of death into the warmth of fireworks in the world. This is completely different from Guo Jing's original cognition and imagination. It not only vividly shows Huang Rong's unique character of being informal and eccentric, but also ignites Guo Jing's curiosity and yearning for Huang Rong, and also lays the groundwork for the following plot.

Later, Huang Rong hung signs of "chicken stewed with peach blossom wine" all over the city, cleverly guiding Guo Jing to come and find her. Some people have wondered why the sign says "Chicken Braised in Peach Blossom Wine" instead of "Shanyuanxiang"? In fact, Huang Rong's next line gives the answer: "I have been waiting for the brother Jing I know." On the one hand, Huang Rong used "Chicken Braised in Peach Blossom Wine" as a test to judge whether Guo Jing is still the kind, upright, and loyal brother Jing in her memory, because only her brother Jing would naturally associate "Chicken Braised in Peach Blossom Wine" with "Shanyuanxiang"; on the other hand, since Huang Rong learned that the Mongols were borrowing the road to attack the Jin Dynasty, she was sure that Guo Jing would stand up to stop the war, and she herself quietly lit "Shanyuanxiang" every rainy night, looking forward to her brother Jing's return. How can such a romantic love story that runs in both directions not move people? Moreover, at the end of the film, Guo Jing asked Huang Rong if she wanted to return to "Peach Blossom Island". At this time, "Peach Blossom Island" is not just a geographical concept, it is regarded as a paradise away from the turmoil of war, peaceful and harmonious. The whole city is full of signs of "Chicken Stewed in Peach Blossom Wine". In the tense atmosphere on the eve of the war, this unique scenery has become the last symbol of tranquility and romance in the border town. "Chicken Stewed in Peach Blossom Wine" and "Shanyuanxiang", two original designs unique to the movie version of "The Legend of the Condor Heroes", are ingeniously conceived and profoundly meaningful. They are really fascinating. It is well deserved to say that Director Tsui Hark is the person who understands martial arts romance the most.

Director Tsui Hark interweaves multiple elements to construct an innovative narrative. He dares to break the inherent pattern and explore new themes and new types. It can be said that the movie originated from Mr. Jin Yong's original work, and to some extent it is higher than Mr. Jin Yong's original work. When editing the scenes, he made full use of montage techniques, cleverly inserting a series of crucial plots such as the first meeting with Jing Rong, learning martial arts from Hong Qigong, and the great changes on Peach Blossom Island. Through flexible switching of perspectives, he inserted the stories into the main film, so that even viewers who have not read the original novel can easily understand the cause and effect of the story. The various clips are closely connected, compact and orderly, without any sense of procrastination and length, making the presentation of the whole story clear and easy to understand.

К посту прикреплены скрины статей о некоем ивенте, посвященном Цзинь Юну, с просмотром фильма. Скрины, имхо, сделаны криво, кое-где текст обрезан и не стыкуется, а кое-где вообще явно пропущены куски.

Я вытащил несколько цитат, показавщихся мне интересными.

▼1. Ивент⬍

On the afternoon of February 27, the reading and movie viewing sharing event "Chivalry, Movies and Books Pay Tribute to Classics - An In-depth Exploration of the World of Jin Yong's Chivalry" was held in the Yangtze River Art Town. This sharing session was hosted by the Yichang Employees Literature and Reading Association, hosted by the Municipal Film and Television Artists Association, the Municipal Couplet Association, and the Yangtze River Art Town, and co-organized by the New Literature and Art Group Writers Workshop and the URD+ Jiangnan Community. More than 30 film and television experts, critics, writers and reading enthusiasts including Zhang Jiongjiong, Wang Guangyi, Peng Dingxin, Yu Yaqin, Liu Kangmei, Zhu Baidan, Xiao Feng, Zhou Baoping and others participated in the event.

Mr. Jin Yong's martial arts works are popular all over the world. He created countless classic martial arts images with his brilliant writing. The martial arts world he constructed is full of humanistic feelings. The chivalrous spirit contained in his works has become an important symbol of Chinese culture and influenced generations of readers. "The Great One" celebrates the New Year in 2025, Yichang Workers Literature and Reading Association.

On February 9 and February 16, two film viewing sessions were organized, both of which were full and received enthusiastic responses. Taking this opportunity, the Yichang Workers' Literature Reading Association, in conjunction with many parties, held this reading and film sharing session, aiming to lead everyone to review Jin Yong's classics and deeply explore the spiritual connotation of "the greatest chivalrous man" in martial arts culture.

The event was hosted by Feng Hanbin, chairman of the City Couplet Association and vice president of the City Workers' Literary Reading Association.

Wang Guangyi, Honorary Chairman of Yichang Film and Television Association, delivered a speech on behalf of the association, and combined film and television clips to explain the charm and influence of Jin Yong's works from the perspective of film and television adaptation, and explained the characteristics and success of Jin Yong's film and television adaptations and their role in spreading martial arts culture.

▼2.⬍

▼3.⬍

▼4.⬍

Yiling Laopeng
The Ethnic Group of Guo Jing Persuading the Mongol Army to Retreat in The Legend of the Condor Heroes: The Greatest Hero

The martial arts movies released during the Spring Festival have national significance.

It is not only reflected in the modern interpretation of Jin Yong's classic IP, it is more about the combination of martial arts narrative and traditional cultural symbols.

Deep integration responds to the cultural context and National spiritual appeal.

In the film, the plot in which Guo Jing persuades the Mongolian army to retreat is one of the climaxes of the entire film and also the core embodiment of its national significance.

1. Sublimate the spirit of "the greatest heroes serve the country and the people"

The plot of Guo Jing persuading the Mongolian army to retreat directly echoes the core theme of "the greatest heroes serve the country and the people" in Jin Yong's original work. As a hero of mixed Han and Mongolian descent, Guo Jing chose to persuade the Mongolian army to retreat peacefully rather than confront them with force, showing a "heroic" spirit that transcends ethnicity and national boundaries. This spirit is not only a transcendence of personal heroism, but also a profound interpretation of national justice. In the contemporary context, this plot conveys the value of "convincing people with virtue and reason", which fits the concept of "harmony is the most precious" in Chinese traditional culture, and also echoes the concept of peaceful coexistence advocated by the modern international community.

2. Cultural Identity and Transcendence in Ethnic Conflicts
(тут явно кусок пропущен, а жаль)

3. Modern interpretation of pacifism and national self-confidence

The plot of Guo Jing persuading the Mongolian army to retreat is essentially an expression of pacifism. He did not conquer the enemy by force, but convinced people with reason and moved them with emotion, showing the philosophical wisdom of "stopping war is the best way to fight" in Chinese culture. This pacifist narrative is a modern interpretation of Chinese traditional culture.

4. Reconstruction of historical memory and the opening of national narrative

The film's treatment of Guo Jing's persuasion of the Mongolian army to retreat may imply a re-examination of historical memory. In traditional narratives, the Mongols are often portrayed as "invaders", and the film attempts to restore a more complex historical picture through Guo Jing's perspective. This narrative strategy is both a disenchantment of historical memory and an open exploration of national narratives. It reminds the audience that nationalism should not be limited to a simple reproduction of history, but should find a more inclusive way of expression in dialogue and reflection.
It not only reflects the assessment of memory, but also explores the openness of power struggle. It reminds the audience that nationalism should not be limited to a simple reproduction of history, but should find a more inclusive way of expression through dialogue and reflection.

Yiling Lao Peng, formerly known as Peng Dingxin, is a member of the Chinese Prose Society, a member of the Hubei Writers Association, and the vice president of the Yichang Prose Society. He is also the former vice chairman of the Yichang Federation of Trade Unions. He has published a collection of essays, "Letters to My Hometown".

Анон · 2025-03-03 12:28:17

Анон пишет:

https://m.weibo.cn/detail/5140089092965488
Не всегда Маяк, надо же

Очень красивая природа на видео :heart:
но тем не менее Маяк это уже скрепа :old: миллион нарезок с Маяком в сердечке анона))

Анон · 2025-03-03 12:30:32

Анон пишет:

но тем не менее Маяк это уже скрепа

Ахаха, факт)
Да, в этих видео всегда потрясающие виды!

Анон · 2025-03-03 13:37:02

https://m.weibo.cn/detail/5140175949925961
Поймали в кафе в Барселоне)

Пялится в тел параллельно

Анон · 2025-03-03 13:39:45

Анон пишет:

Пялится в тел параллельно

Вся наша жизнь

Анон · 2025-03-03 13:43:48

https://m.weibo.cn/detail/5140070512460161
Кто-то отрезал беднягу Дабо от вчерашней фотки)

Анон · 2025-03-03 13:44:04

Анон пишет:

On February 9 and February 16, two film viewing sessions were organized

Очень здорово, что Кондоров рассматривают не просто как блокбастер, а как часть культурного движа.

Анон · 2025-03-03 13:51:12

Да, там какие-то спецы с регалиями) Так что, может, не так плохо все с фильмом, как кажется, просто он достаточно нишевый? Довольно много положительных отзывов на него от серьезных людей, причем отзывов именно как о фильме ЦХ по роману ЦЮ, а СЧ просто нормально вписывается, и его игра вопросов у этих товарищей не вызывает.

Анон · 2025-03-03 14:02:56

Вот еще про Кондоров https://x.com/xzmelons/status/1896187269679075504

Анон · 2025-03-03 16:14:13

СЧ

▼Скрытый текст⬍

Холиварофорум

Объявление

#1 2023-07-08 14:07:06

Тред Сяо Чжаня

#13301 2025-03-02 16:12:59

Re: Тред Сяо Чжаня

#13302 2025-03-02 16:30:39

Re: Тред Сяо Чжаня

#13303 2025-03-02 16:31:59

Re: Тред Сяо Чжаня

#13304 2025-03-02 19:59:26

Re: Тред Сяо Чжаня

#13305 2025-03-02 20:02:06

Re: Тред Сяо Чжаня

#13306 2025-03-02 20:03:12

Re: Тред Сяо Чжаня

#13307 2025-03-02 20:06:19

Re: Тред Сяо Чжаня

#13308 2025-03-02 20:09:22

Re: Тред Сяо Чжаня

#13309 2025-03-02 20:36:09

Re: Тред Сяо Чжаня

#13310 2025-03-02 21:04:34

Re: Тред Сяо Чжаня

#13311 2025-03-02 21:06:36

Re: Тред Сяо Чжаня

#13312 2025-03-02 21:10:04

Re: Тред Сяо Чжаня

#13313 2025-03-02 21:32:03

Re: Тред Сяо Чжаня

#13314 2025-03-03 09:44:06

Re: Тред Сяо Чжаня

#13315 2025-03-03 09:51:32

Re: Тред Сяо Чжаня

#13316 2025-03-03 12:16:02

Re: Тред Сяо Чжаня

#13317 2025-03-03 12:28:17

Re: Тред Сяо Чжаня

#13318 2025-03-03 12:30:32

Re: Тред Сяо Чжаня

#13319 2025-03-03 13:37:02

Re: Тред Сяо Чжаня

#13320 2025-03-03 13:39:45

Re: Тред Сяо Чжаня

#13321 2025-03-03 13:43:48

Re: Тред Сяо Чжаня

#13322 2025-03-03 13:44:04

Re: Тред Сяо Чжаня

#13323 2025-03-03 13:51:12

Re: Тред Сяо Чжаня

#13324 2025-03-03 14:02:56

Re: Тред Сяо Чжаня

#13325 2025-03-03 16:14:13

Re: Тред Сяо Чжаня

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